Montreal Ulysses Journey Guide

They have been commissioned from a few of Québec’s great painters, such as Marc-Aurèle Fortin and Paul-Émile Borduas. The chalet underwent main renovations in 2003, and its paintings had been restored. People go to the chalet mainly to walk along the lookout and take in the distinctive view of downtown from the Belvédère Kondiaronk (named after the Huron-Wendat chief who negotiated the Great Peace treaty in 1701). The view is at its finest within the late afternoon and evening, when the skyscrapers light up the darkening sky. Built between 1900 and 1925, the houses include between two and five flats, all with non-public outside entrances. Visitors will see Art-Nouveau stained glass, parapets, cornices made of brick or sheet metallic, balconies with Tuscan columns and ornamental ironwork formed in ringlets and cables.

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The inside, with its mixture of dark woodwork, moulded plaster and mosaics, is typical of the late 19th century, characterized by exuberant eclecticism and energetic polychromy. The facade, dealing with Rue Saint-Jacques, combines Romanesque Revival components, as adapted by American architect Henry Hobson Richardson, with elements from the Chicago School, notably the multiwindowed metallic roof. A former Methodist church whose interior was designed as an auditorium, (463 Rue SteSt. James United Church Catherine Ouest; McGill metro) was constructed between 1887 and 1889 and originally had an entire facade looking onto a garden. In 1926, in an effort to counter a decrease in its revenues, the spiritual community constructed a stretch of shops and offices along the front of the constructing on Rue Sainte-Catherine, leaving only a narrow passageway into the church. However, the church recently underwent renovations that uncovered its spectacular facade, full with rose window, Gothic Revival towers and an elegant church yard. For a very long time, Gare Dalhousie was home to the École Nationale de Cirque de Montréal, which just lately moved to a constructing positioned in what is now often known as TOHU, la Cité des Arts du Cirque , in the northern section of the island of Montréal.

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